Spring Snow (タトルクラシックス) epubダウンロード

Spring Snow (タトルクラシックス)

, 三島 由紀夫

によって 三島 由紀夫
4.2 5つ星のうち 96 人の読者
ファイルサイズ : 19.32 MB
内容紹介 Spring Snow is the first book of Mushima’s masterpiece tetralogy, The Sea of Fertility. The novel is set in Tokyo in 1912, in the closed circles of imperial court and the ancient aristocracy, a world beginning to be breached by newcomers, the rich provincial families whose money and vitality makes them contenders for social and political power. The Matsugae family belongs to this new elite. Kiyoaki Matsugae has been raised – for the sake of his parents’ advancement – in family of the waning aristocracy, the elegant Ayakuras. Now, in his first manhood, Kiyoaki is caught up in the tensions between old and new, fiercely loving and, seemingly with almost equal ferocity, hating the Ayakuras’ exquisite daughter, Satoko. Wanting her and repelling her, he is held in psychic paralysis until events shockingly reveal to him the magnitude of his passion.In its splendid evocation of the past, in its assertion of the insubstantiality of beauty and happiness, in its subtle orchestration of cultural forces and individual lives, Spring Snow is obe of the major novels of modern Japanese literature. 著者について Yukio Mishima, three decades after his death, remains the subject of strong international fascination, both for his political fervor and for his exquisitely crafted writing. He was born in Tokyo in 1925 and educated at the Peer’s School, where he received a special commendation from the Emperor of Japan. He completed his first novel during his first year at the University of Tokyo and went on to a prolific, internationally acclaimed career as novelist, playwright, short story writer, and poet. In a gesture whose political consequences reverberate to this day, he ended his life by seppuku in 1970.
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This novel is the first of Mishima's serial novels The Sea of Fertility that tells the life of the primary incarnation of the protagonists that occupy the central stages throughout the four books. Like all of his other novels, it is a very artificial construction beautifully executed. Yet this one and the following three serials trace the process of the inevitable disintegration of the construction rather than the consolidation of Mishima's seemingly monomaniacal Japanese right-wing vision as you might expect. The work anticipates many of later Japanese fictions of the 80s by Kenji Nakagami and others in its cartoon-like formal simplicity of the plots and its rejection of realistic depictions. I believe Mishima fans should read this one not as a book of epiphany but as the final dream-vision of the genius who also recognized the inevitability of the historical reality.

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